Marc Cerrone has sold over thirty million albums and has often performed in front of hundreds of thousands of people at huge concerts and events such as The 2005 Dance Party Live in Versailles and The 2000 Los Angeles Millenium Célébration where, at the request of the Mayor of Los Angeles, Cerrone staged the initials Hollywood and produced an exceptional opera. Also in 1989, he performed in the concert at Paris's Place de la Concorde for the celebration of the bicentenary of the Revolution in front of more than 600,000 spectators. In 1991 he performed a concert event for the launch of the first satellite TV HD in Japan (Tokyo). He claims, and it is often credited by others, that he was "the first" to put the kick drum (or bass drum) into the foreground of modern dance music.
At the age of 12, he started playing drums and listening to Otis Redding songs. Cerrone's passion for music scared his father, who tried to distract him from his obsession. By the end of the 1960s, he was fascinated by Jimi Hendrix, Carlos Santana and Blood, Sweat & Tears, amongst others.
At the age of 17, he convinced Gilbert Trigano to hire rock bands for his holiday clubs: Club Med (Club Mediterranée). Cerrone became the A&R scout for 40 Club Med vacation villages around the world. His first recordings as a part of Kongas were released on Barclay Records, where he issued his first hit single, "Boom". He is most famous from the Kongas days for "Anikana-O", co-written and produced by Alec R. Costandinos. A remix was done by Tom Moulton for the U.S. release on Salsoul Records. This mix was also used on other international releases.
Based in Paris, Cerrone recorded, composed, and performed his solo debut "Love In C Minor", again with Costandinos. Released on his own Malligator imprint, and distributed by Warner Filipacci in France, it immediately shocked audiences with its controversial cover. It was later released with a new, tamer cover that took flashes of nude women into the background and replaced them with four arms clenched instead for the American release. It also featured a cover version of Los Bravos "Black Is Black" and "Midnite Lady", an instrumental piece. Cotillion Records released the album through Warner distribution in the U.S. The album was released un-edited in Canada, using the original master tapes. This was the final collaboration between Cerrone and the Egyptian-born Costandinos, who went on to create dancefloor hits such as "I've Found Love" by Love & Kisses, and the disco opera re-telling of the story of "Romeo and Juliet".
Cerrone continued using pieces of photographic and audio erotica when he released his second album, Cerrone's Paradise. It was recorded with Raymond Donnez, also known as "Don Ray", as part of his arrangement entourage after parting company with Costandinos. The original French album cover featured a naked model draped over the top of a fridge with a jar of white powder spilled in front of it. The U.S. release featured a photo of Cerrone wearing a Hawaiian shirt.
His third album, Supernature (Cerrone III) sold over eight million albums worldwide. A departure from the lush orchestration with electronic instrumentation added to the mix, it was co-written by Alain Wisniak. The song "Supernature" has a sci-fi theme: it's about the rebellion of mutant creatures — created by scientists to end starvation among mankind — against the humans. It also featured "Sweet Drums", a three-minute-and-ten-second drum breakdown. The original French album cover was again different, having a gatefold opening with nudes in the centre. The music itself was the same.
After the success of Supernature (Cerrone III), Cerrone IV: The Golden Touch Cerrone signed up for management with Steven and Martin Machat. They helped oversee his worldwide career. Steven Machat negotiated a new deal for Cerrone in the US and Canada with Atlantic and CBS outside the US, Canada as well as France. These were major artists deals for that time period. The album got great reviews in the US and Atlantic threw a party in New York City, October 1978 that was one of the largest parties ever thrown for an artist up to that point in time. The Album was another Cerrone U.S. disco chart-topper. Driven by "Je Suis Music", "Look For Love", and the urban-slanted "Rocket In The Pocket", this album showed his fusion attributes, foreshadowing his future releases.
Cerrone then ventured into movie scoring, supplying the music score for Brigade Mondaine, a French film. Alternate mixes of his hits were made, such as "Give Me Love", "Phonic" (originally released as a 12" single on the Crocos label), and "Striptease". The latter was an underground hit, introduced to international audiences through the Disconet subscription service for DJs. It was a key inclusion on "Cerrone by Bob Sinclar".
Cerrone V marked a radical departure for the artist, where he made a full-fledged attempt to become the vocalist. Moving from Cotillion to Atlantic Records in the U.S., "Rock Me" was the first single and, although clubs reacted fairly well, it did not reach the heights of his previous releases. Sonically, it bears a resemblance to "Hot Stuff" by Donna Summer. Recorded in Los Angeles, California with the musicians backing Toto, Cerrone co-wrote "Call Me Tonight" with producer Bob Esty and vocalist/lyricist Michelle Aller.
His sixth album, Cerrone VI, was the first of his albums not to be released in the U.S. and was issued on Malligator and Unidisc in Canada. Unlike his previous albums, this non-rhythmic offering, using new electronic elements such as the Fairlight CMI computer, was more of Cerrone exploring the entire musical landscape. Lyricist Pamela Forrest, a Liverpool-born, Paris-based lyricist, added her magic to the album. The instrumental, Herb Alpert–inspired "Rendezvous" received scattered Adult Contemporary airplay in Canada. Cerrone also returned to the erotic album covers, using an existing Cheyco Leydemann photograph of a bare-breasted blonde in a lawnchair, and inserting himself in the photograph.
In a true return to form, "You Are The One" was the cornerstone of his seventh record. An 11-minute version of "Cherry Tree" remains on the shelf. This album was rumoured to have been recorded twice: first with Stoke-on-Trent, England, native Kay Garner, long the voice of Cerrone's biggest successes; and then with Brown. The version with Garner on the lead vocals has never been released.
As a bridge between Cerrone's seventh and eighth albums, a 12" single, "Tripping On The Moon", was released prior and was a blockbuster import hit. Sung by Kay Garner, and vocally reminiscent in tone of "Supernature", it was never released in North America as a single. It later became a part of Cerrone VIII:Back Track. It was released on John Luongo's Portrait label, distributed by CBS. Although the title track was a mild chart hit in the nightclub, the album's lone bright spot was a re-recording of "Supernature" sung by Montreal-based Nanette Workman. Workman had a 1973 hit with the song "The Queen" on Big Tree Records. A short time thereafter, Canadian born singer Claudja Barry did a cover version of "Trippin'", released on Personal Records.
His ninth album, Your Love Survived, featured male lead vocals other than his own sung by the late Arthur Simms. Simms along with his brother John had also recorded an album entitledJohn & Arthur Simms with Alec R. Costandinos on his Ibis/Casablanca imprint. Pamela Forrest also rejoined the cast, writing lyrics on the album. Re-recordings of hits such as "Give Me Love", "Look For Love", and "Call Me Tonight" were also featured on this double LP set. Key tracks included "Get Your Lovin'" and "Workout".
Another return to form was his tenth album, Where Are You Now?. Sung by American Carole Rowley and released on Malligator in France, Hi-NRG producer and mixer Ian Levine was tabbed to do the mix, prompting a 12" release on the Record Shack label. In 1984, "Club Underworld" was also released as a single, in both France and the United States on Personal Records, with a new mix.
Perhaps the most-interesting Cerrone record that was never to be on a full-length album was his terrific interpretation of "Standing In The Shadows Of Love" intertwined with his own composition "Freak Connection". It was released only in France.
Cerrone's boutique label, Crocos, was the home to a number of independently produced projects. "Africanism" by Kongas, arranged by Don Ray, was an energetic fusion of tribal drum beats and emotive male vocals framed around a cover version of "Gimme Some Lovin'" by Traffic. It was licensed for North American distribution in a deal between Cerrone and Polydor U.S.
Don Ray created a furore with his dance-pop album Garden Of Love, which was written with Cerrone, the entire album is considered a seminal classic. Hits such as "Got To Have Lovin'", "Body & Soul", and "Standing In The Rain" guided the album to #1 Stateside. Rob King, late of Manfred Mann's Earth Band, was the vocalist on the album. The previously mentioned Lene Lovich wrote the lyrics.
Revelacion, a studio act, released two albums: a side-long version of "House Of The Rising Sun" on Crocos (which was also released at almost the same time as Santa Esmeralda's second album) and "Don't Give A Damn", a 16-minute electronic-spiced, downtempo track recalling "Music of Life" on Malligator.
He also produced singles "Tonight The Night" for percussionist Mo Cooper and "Phonic" by Phonic, the latter of which echoes the synth boom that was started by Space's "Magic Fly". A song featuring LaToya Jackson was also issued, entitled "Oops, Oh No".
By the 2000s, Cerrone's European success helped his 2002 hit "Hysteria", and the album become a success. By 2007, he issued the song "Laisser Toucher". It is the lead single from his album Celebrate!, released in early 2008. The second single from the album was "Misunderstanding." Cerrone issued his twentieth album release, Love Ritual on 7 July 2008. The lead single is the title track which preceded the full length album. "Love Ritual" also has a supporting music video. It was quickly followed by the next two singles, "It Had To Be You" and "Tattoo Woman." The single, "Tattoo Woman" with remixes by Jamie Lewis was made available domestically in the U.S. on traxsource.com.
On March 12, 2009 Cerrone released the album "Cerrone by Jamie Lewis" for free on his website. He stated that "music is condemned to be free and that it is necessary to find other solutions to make revenues"
In the style of one Jean-Michel Jarre of the ' dance music " ", Cerrone organizes regularly big events or 300 000 persons meet around his music.