The smallest of the trumpet family is the piccolo trumpet, pitched one octave higher than the standard B♭ trumpet. Most piccolo trumpets are built to play in either B♭ or A, using a separate leadpipe for each key. The tubing in the B♭ piccolo trumpet is one-half the length of that in a standard B♭ trumpet. Piccolo trumpets in G, F, and even high C are also manufactured, but are rarer.
The modern piccolo trumpet enables players to play the difficult trumpet parts of Baroque music, such as Bach's second Brandenburg concerto and B-minor Mass. Adolf Scherbaum was the first to specialize in the piccolo trumpet repertoire and to discover new baroque works, doing original transcriptions. Maurice André further developed the modern piccolo repertoire, playing the instrument for 50 years.
The sound production technique is basically the same as that used on the larger B-flat trumpet. Air pressure and tonguing are different, and players use a shallower mouthpiece for the piccolo trumpet. Almost all piccolo trumpets have four valves instead of three — the fourth valve usually lowers the pitch by a fourth. This extends the low range and provides alternate fingerings and improved intonation for some notes.
The piccolo trumpet solo in The Beatles' "Penny Lane", which introduced the instrument to pop music, was played by David Mason. Paul McCartney was dissatisfied with the initial attempts at the song's instrumental fill (one of which is released on Anthology 2), and was inspired to use the instrument after hearing Mason's performance in a BBC radio broadcast of the second Brandenburg Concerto http://abel.hive.no/trompet/tpin/Penny_Lane_solo.html and asking George Martin what the "tremendously high" trumpet was. Eventually Mason recorded the solo using a piccolo trumpet in A. http://www.nevilleyoung.co.uk/pennylane. Use of the instrument is now commonplace in many musical genres. Maurice André, Ludwig Güttler, Wynton Marsalis, and Håkan Hardenberger are some well-known piccolo trumpet players.